8/18/2023 0 Comments Death saved my life air date“It will sit in my filmography, and people will hopefully lighten up a bit and have fun with it.” Years down the line, he imagines, audiences will have enough distance to revisit it. It fizzled a little bit, but it was OK because I see that and ‘Host’ almost as a package deal,” he says. “It would have been nice if that movie had got a bit more of a life. Let’s take the piss out of the last few months.’” It was made in the spirit of, ‘Everyone’s outside again. “It was before the conversation around vaccines got so heated and vitriolic. “The interesting thing about the room is that you’ve got to imagine the room a year from now when you’re making a movie - especially for a movie that’s really trying to take the temperature of what’s going on right now,” Savage says in hindsight. Filmed in late 2020, it wouldn’t be released until 2022 after a film festival run, and by the time it hit theaters its radioactive lead proved a hard pill for some viewers to swallow. Within six months he was already shooting “Dashcam” for Blumhouse, centered on a polarizing livestreamer (musician Annie Hardy, playing a version of herself) caught up in sinister happenings during COVID shutdowns. “And then I started seeing everything moving.” The onetime aspiring comic book artist’s brain exploded. In the end, his dad relented and showed him the movie that would inspire him to make his own: Katsuhiro Otomo’s 1988 cyberpunk anime “ Akira,” a seminal classic “full of body horror and murderous biker gangs,” says Savage. “Even now, some of my favorite movies I love to watch with no sound on, to see how they are put together visually.” “I remember watching ‘ Hellraiser’ with no sound the first time, and it made me feel delirious,” says Savage. He’d play the movies on mute when everyone else was asleep, consuming them as “these weird nightmare images” that burned themselves into his image-oriented psyche. “I’d work my way through every time my parents would leave the house.” “I had VHS tapes in a plastic bag with a bit of string and a pulley system, and I’d hide them in the walls of my house like ‘ The People Under the Stairs,’” he grins. Unbeknownst to his parents, he procured a portable combo VCR-TV and collected VHS tapes from yard sales and charity shops, especially keen on the video nasties of the ’80s - and hid his precious stash with stealthy invention. “That became my odyssey - I wanted to eat McDonald’s, drink SunnyD and watch ‘ The Texas Chain Saw Massacre.’” “The only thing I wanted to do was watch the bloodiest, nastiest movies I could get my hands on,” says Savage. There, where Charles Darwin was born nearly two centuries prior, the self-described young gorehound grew up around the family farm with “hippie-dippie vegan” parents who strictly banned sugar, television and the horror movies that called to him like forbidden fruit. Rewind to the start of Savage’s origin story and you’ll find yourself in verdant, rural Shropshire, England, near the Welsh border. The family dynamic they created would have been beyond me at age 24. Rob and the crack writing team expanded on it with great success. “It’s a very short story, originally published in ‘Cavalier’ magazine, a long time ago, and their word-count requirements were ironbound - they had to have plenty of room for cheesecake photos. “My story is in the first 10 or 15 minutes of Rob’s extraordinary movie - a kind of prologue,” King told The Times in an email. Reworking an initial script by “ A Quiet Place” writers Scott Beck and Bryan Woods that expanded the story into a domestic saga, Savage and “ Black Swan” scribe Mark Heyman shifted it to rest on the shoulders of teenage Sadie, who battles her angst and anguish to save her broken family. King’s original tale zeroed in on two characters, a therapist and his patient haunted by an evil presence he blames for the mysterious deaths of his young children.
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